1 10 4 https://d1y502jg6fpugt.cloudfront.net/33582/archive/files/9fd8db135434730dfacd5da54d5cb7a3.pdf?Expires=1793232000&Signature=LxOlQXn%7E4ib9j5spISvN-zR%7EJnMZfYL4keoAllNcB1puN%7ElWtPzgXDI0uKZQ8cIO2%7E4tUyhbhBWVQNt8Vt74T0NGZPlxNIjfbIztcHhYOE-C1N-B7y3eHYaKXBeisBT1EkXV75%7EDlXwPnPqtz13q6rk5BgjSMDbyvNIsa3guJyzGe1nvbJwtQVcZXk8rtLe3hZw77CL2UXcxCmMCSXv0K77Upj%7EvSc-Ni7I2S9O-X532yrFLwYTwRbaILHKE9IabczAduYb8lZKmgSYFqv-VDwmoqMa0mfVLD4qDS23cVqtGQNEqkQ37BD8S8d4UE1AqTILAQY8EyOqy5xj%7EM7PQWA__&Key-Pair-Id=K6UGZS9ZTDSZM 4ffd074677d8e78e5a14cc11ec7194bc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documentary Archives Subject The topic of the resource This collection examines archival material ranging from the late 19th to the mid-20th centuries, housed primarily in the Southern Historical and North Carolina collections of the Louis Round Wilson Archives. Our materials come from all over the American South, with an epicenter in North Carolina, which localizes our research while also examining broader contexts. This collection includes media such as letters, newspapers, photography, and personal letters and records. We came to the physical archive with a series of individual questions and began by surveying Wilson’s large collection broadly, eventually selecting items that were of particular personal interest. Our process involved transcription, analysis, and digitization through photography and scanning. These digitized items represent only a fraction of what has been collected in Wilson’s various archives. Text A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Paper book, 6 inches wide, 9 inches high, 78 pages plus a front and back cover and a two-page table of contents, bound with staples Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Mississippi and the Mob Subject The topic of the resource “State officials, officers and outstanding members of State Bar Association, and other prominent Mississippians condemn mob violence and call on officers to do their sworn duty.” Description An account of the resource Book compiled to condemn mob violence and demand local law enforcement officers uphold their duties to protect their inmates from mob violence. Creator An entity primarily responsible for making the resource J. N. Flowers Source A related resource from which the described resource is derived University of North Carolina at Chapel Hill Rare Books Collection, Southern Pamphlet Collection Publisher An entity responsible for making the resource available Jackson Printing Co. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Format The file format, physical medium, or dimensions of the resource Paper book, 6 inches wide, 9 inches high, 78 pages plus a front and back cover and a two-page table contents, bound with staples and glue File is uploaded as a .pdf document Language A language of the resource English Type The nature or genre of the resource Political tract Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 2nd revised printing 1926 j. n. flowers legal intervention lynching mississippi mississippi state bar association mob violence https://d1y502jg6fpugt.cloudfront.net/33582/archive/files/08b26105f9b701cdc889a3a2285171ec.jpg?Expires=1793232000&Signature=oWruhtaQY0apViwk6W62m32F0zrnvkAp7AdLXHJMAchr2O8AwvRgwp0mfo6rYMzfC6JnIr0V%7EEpkRo6oAFzZIEPdp9CSQt4iHSgg%7E%7EDZ7m7B246%7E4yq%7EqTQRYWf7CDtBWcG-859EXRYDXBk3Zdz07CyKIdYP9qaaY7iCRRTgSEhsBupfpUuDc6eOx3M7oKL-%7Epz6SD8ayPtxL0m4nk4BYhNe06RInGXZRkVt2ScYEth15ds1MnORJ6xIxER8wqYigX8HGB6l5LRSx9rTqHtluAFNlEGeVeNCrWB0sd0N8hyPzVhdIp1Q9Jb%7ERBADAPMahtKadIUOLHqgx9UY4KqnbA__&Key-Pair-Id=K6UGZS9ZTDSZM b4afdec2f78675f307f36f82e732e6c6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Documentary Archives Subject The topic of the resource This collection examines archival material ranging from the late 19th to the mid-20th centuries, housed primarily in the Southern Historical and North Carolina collections of the Louis Round Wilson Archives. Our materials come from all over the American South, with an epicenter in North Carolina, which localizes our research while also examining broader contexts. This collection includes media such as letters, newspapers, photography, and personal letters and records. We came to the physical archive with a series of individual questions and began by surveying Wilson’s large collection broadly, eventually selecting items that were of particular personal interest. Our process involved transcription, analysis, and digitization through photography and scanning. These digitized items represent only a fraction of what has been collected in Wilson’s various archives. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Front cover of paper book, Mississippi and the Mob Physical Dimensions The actual physical size of the original image 6 inches wide, 9 inches high Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Front cover to Mississippi and the Mob Subject The topic of the resource Mob violence Description An account of the resource Front cover of the book Mississippi and the Mob, containing the title and a political cartoon by [?] Cross of the Nashville Tennessean Creator An entity primarily responsible for making the resource J. N. Flowers Source A related resource from which the described resource is derived Political cartoon comes from the Nashville Tennessean newspaper Publisher An entity responsible for making the resource available Jackson Printing Co. Date A point or period of time associated with an event in the lifecycle of the resource 1926 Format The file format, physical medium, or dimensions of the resource Front cover is made of paper, six inches wide, nine inches high Image file is .jpg Language A language of the resource English Type The nature or genre of the resource Front cover 1926 cross j. n. flowers legal intervention lynching mississippi mississippi state bar association mob violence political cartoon https://d1y502jg6fpugt.cloudfront.net/33582/archive/files/d7b79d854fe147df64d7bb2c70d2d099.jpg?Expires=1793232000&Signature=G7XvMz%7Ev4-iQPDxHVX0mDYQ6kthK2w4M5LomTSyvi-ZJggGceKlXp4krRADxePWF0C9tBpJsuWusIagjxDZCpxup4xSvV5IOWVa9op3n0019DaSo5lFAKczLxhPTDSAKS9vLvT2T%7EqHJPtj2LhY703YJ5LNW33Dhu28cminZalM7CNe8xCKy44uz1wHQ4vlGk67K%7EiRaQfyd6dgdUCMQ%7ETk7pWQeohfnqdA5o%7EellLd4qV0tw%7ElFBEkqXlmyNKReTUR6MiewoZ4I6ieuQeHuo%7EL8bz1r%7E5F8k3%7EGjsEwTcaxhIpkGBipMLy79sOE51skOjUAou3D-fqMMWwE6haixA__&Key-Pair-Id=K6UGZS9ZTDSZM 0117c652e6ae38c769ccb05289112009 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giddap Subject The topic of the resource Lynching in Art Description An account of the resource “A lynching. A black man stands with a rope around his neck, in a cart hitched to a mule; a crowd of white men and women around the card.” (Timothy Riggs, Proposed Acquisition Justification Form, Curatorial Files, Ackland Art Museum, UNC-Chapel Hill, 2013) Creator An entity primarily responsible for making the resource Hale Aspacio Woodruff Source A related resource from which the described resource is derived "The Atlanta Portfolio" Publisher An entity responsible for making the resource available Robert Hamilton Blackburn Date A point or period of time associated with an event in the lifecycle of the resource 1935; published in 1996 Format The file format, physical medium, or dimensions of the resource Digital (.jpg) image file Language A language of the resource English Type The nature or genre of the resource Linocut print Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Image is 12 inches tall by 8 15/16 inches wide (30.5 cm tall by 22.7 cm wide); sheet on which image appears is 19 11/16 inches tall by 14 15/16 inches wide (50 cm tall by 38 cm wide) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Visual Art Subject The topic of the resource In the Visual Art Collection, we focus on artworks found in the Ackland Art Museum at the University of North Carolina at Chapel Hill. We explore how certain images represent lynching and the different meanings and associations these representations evoke. We engage in a form of visual rhetorical analysis in which we attend to the image’s formal features as well as its manifest content. The primary sources we examine include photographs, paintings, and prints. Through our analyses and exhibitions, we attempt to continue the work begun with the Documentary Archive Exhibit by adding another artistic dimension to our investigations. Aside from the formal features and content of the artwork, we also explore the pieces’ authors, sociohistorical milieu, and provenance. Moreover, we hope to draw parallels between these artistic representations of lynching and the literary representations we have explored in class. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Linocut printing onto china paper (chine appliqué) Physical Dimensions The actual physical size of the original image Image is 12 inches tall by 8 15/16 inches wide (30.5 cm tall by 22.7 cm wide); sheet of paper on which image appears is 19 11/16 inches tall by 14 15/16 inches wide (50 cm tall by 38 cm wide) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Giddap Subject The topic of the resource Lynching in Art Description An account of the resource Linocut print of a man being lynched by a mob in the woods Creator An entity primarily responsible for making the resource Hale Woodruff Source A related resource from which the described resource is derived "The Atlanta Portfolio" Publisher An entity responsible for making the resource available Robert Blackburn Date A point or period of time associated with an event in the lifecycle of the resource Circa 1935, Published 1996 Format The file format, physical medium, or dimensions of the resource Digital (.jpg) image file of print Language A language of the resource English Type The nature or genre of the resource Linocut printing 1935 1996 an art commentary on lynching giddap giddy up hale aspacio woodruff linocut lynching mob violence print robert hamilton blackburn the atlanta portfolio visual art https://d1y502jg6fpugt.cloudfront.net/33582/archive/files/a33f9e46dd4c4210e1b5411ea9fd8686.jpg?Expires=1793232000&Signature=UbsMEK%7EFTW2gU3av57RGvaFxPeLIn6JOMoEA9p5mm8wjLhUpKQPFg98bz8jn9CEsTcSXTLuDanbt%7E%7EkWujgjl66iBMOLDS9M2yvPxUsYY6didc5HsomvZP7TnzDvqXBsp3VEqzAZXoT9IBXyroIiGou-Vt-tmJND7wvD7%7EaAQ4XY6fQ%7EHph5Iq1JLUHIImJWrKWz894n1AvhdCp4Jc3bveC5k8JOXGnuEGA3T359qXPyDi4awOYi1DY%7EBOAt9QB76YpTU8eWznzhWUi-zqd0AjRkU3CGlDvyYZAtohGIc4MEAkFkw31I%7ExtcCXqyxKZuMZmvskSuQMcxfas%7E6YQx3w__&Key-Pair-Id=K6UGZS9ZTDSZM 609b54b4884092f878059726726f270e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Visual Art Subject The topic of the resource In the Visual Art Collection, we focus on artworks found in the Ackland Art Museum at the University of North Carolina at Chapel Hill. We explore how certain images represent lynching and the different meanings and associations these representations evoke. We engage in a form of visual rhetorical analysis in which we attend to the image’s formal features as well as its manifest content. The primary sources we examine include photographs, paintings, and prints. Through our analyses and exhibitions, we attempt to continue the work begun with the Documentary Archive Exhibit by adding another artistic dimension to our investigations. Aside from the formal features and content of the artwork, we also explore the pieces’ authors, sociohistorical milieu, and provenance. Moreover, we hope to draw parallels between these artistic representations of lynching and the literary representations we have explored in class. Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Linocut printing onto china paper (chine appliqué) Physical Dimensions The actual physical size of the original image Image is 12 inches tall by 8 15/16 inches wide (30.5 cm tall by 22.7 cm wide); sheet of paper on which image appears is 19 11/16 inches tall by 14 15/16 inches wide (50 cm tall by 38 cm wide) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource "Giddap" print divided by the Rule of Thirds Subject The topic of the resource Visual analysis of the composition of "Giddap" Description An account of the resource An image of the "Giddap" print divided by the Rule of Thirds to analyze its composition Creator An entity primarily responsible for making the resource Hale Woodruff (grid imposed by Paul Blom) Source A related resource from which the described resource is derived "The Atlanta Portfolio" Publisher An entity responsible for making the resource available Robert Blackburn Date A point or period of time associated with an event in the lifecycle of the resource Circa 1935, Published 1996, Grid imposed 2 Dec. 2017 Contributor An entity responsible for making contributions to the resource Paul Blom Relation A related resource Giddap Format The file format, physical medium, or dimensions of the resource Digital (.jpg) image file of printing Language A language of the resource English Type The nature or genre of the resource Linocut print 1935 1996 an art commentary on lynching composition content analysis giddap giddy up hale aspacio woodruff linocut lynching mob violence print robert hamilton blackburn rule of thirds the atlanta portfolio visual analysis visual art